The human form, typically absent in my work, finds purchase in the Landscape Portraits. There’s a good chance we’ve all met someone so deeply connected to the place they live that they seem almost a part of it. I imagine individuals I’ve encountered in particular landscapes as an element of that landscape—place, person, and paint bound together.
"Beekeeper," 2015, oil on linen. New Britain Museum of American Art: Charles F. Smith Fund; 2016.6
Landscape Portraits in Public + Museum Collections
